Saturday, May 4, 2019 - Sunday, May 5, 2019
Saturday, May 4, 2019 8 p.m.
Sunday, May 5, 2019 2 p.m.
Oakville Centre, AEG Liebherr Auditorium
$56 Regular Seating
$39 Young Adult (to age 35)
$ 27 Student
Make it out for the Oakville Symphony’s Musical Paris for an evening of music from George Gershwin’s An American in Paris and Sergei Rachmaninov’s Piano Concerto No. 2 in C minor, Op. 18!
About Christopher Goodpasture:
Praised by the Washington Post for his “sparkling, highly musical” playing, Christopher Goodpasture has established himself as a musician of refined style. The Toronto Concert Review described his playing as a “rare combination of strength, energy and sublime musical sensitivity…matched by a heavenly sense of melodic line”. His imaginative approach to programming reflects a penchant for unusual repertoire and narrative that is both unconventional and provocative. He has performed recitals in concert venues throughout North America, including the Kennedy Center (Washington D.C.), Benaroya Hall (Seattle), Koerner Hall (Toronto), Alice Tully Hall, Merkin Hall, Weill Recital Hall (New York), Bing Concert Hall (San Francisco), and the Los Angeles County Museum of Art.
Recent and upcoming orchestral appearances include concertos with the Sioux City Symphony, The Oakville Symphony, Northumberland Orchestra, Acadiana Symphony Orchestra, and the Chamber Orchestra of New York. Among his forthcoming projects is a debut album to be recorded in 2019 on the KNS Classical Records label as well as an album exploring atmosphere seen through the imagination of composers including Bartók, Janáček, Debussy, Haydn, Takemitsu and Australian composer Peter Sculthorpe to be released on the Southern California based Yarlung Records.
Christopher is a top-prize winner of the Washington International, Seattle International, Iowa International and Dallas International Piano Competitions, as well as the Serge and Olga Koussevitzky Competition for Pianists. He holds graduate degrees from Yale University and The Juilliard School, where his teachers included Hung-Kuan Chen, Peter Frankl, Jerome Lowenthal and Christopher Elton. Born in Los Angeles, California, his formal training began at the Pasadena Conservatory, where he enrolled in theory, chamber music, and for four years, composition with award-winning American composer, Andrew Norman. He continued his studies with Stewart Gordon and John Perry at the University of Southern California and the Royal Conservatory of Music in Toronto.
From a young age, Christopher developed a keen interest in collaboration and now is a sought-after chamber musician, having played for and collaborated with a number of noted musicians. He has appeared as a fellow in Ravinia’s Steans Music Institute, in the intensive chamber music program of David Finckel and Wu Han in Aspen, at the Music Academy of the West, and in the festivals of Kneisel Hall, Sarasota and Banff. Among his collaborators are members of the Takacs, Ysaye, St. Lawrence, Amenda, Guarneri, and Tokyo String Quartets. Christopher’s work with pianists Seymour Lipkin, Joseph Kalichstein, Robert Levin, Claude Frank, Leon Fleisher and violinists Pamela Frank and Sylvia Rosenberg has left a meaningful impact on his work as a chamber musician.
Currently, Christopher is a member of New York based Ensemble Connect (formerly Ensemble ACJW), a fellowship program of Carnegie Hall, the Juilliard School and the Weill Institute in partnership with the New York City Department of Education and with an emphasis on audience engagement, teaching and performing chamber music.
About Tessa Laengert:
Lyric soprano Tessa Laengert is an emerging young artist based in Toronto. Tessa is quickly establishing herself in both operatic and concert performances. She made her principal role debut with the Summer Opera Lyric Theatre in 2013 in the title role of Mimi in La Bohème, as well as her role debut with Opera in Concert in Impresario (2013). Previously she performed with Against the Grain Theatre in their production of Handel’s Messiah in Toronto and this season with Opera Atelier and Opera in Concert. Last season she made her debut with the Oakville Chamber Orchestra, and with Masterworks of Oakville where she performed Poulenc’s Gloriaand Mozart’s Requiem with Brott Music Festival. This season, Tessa will be performing the title role of Gretel in Hansel & Gretel with Shoestring Opera.
Tessa has performed with the Black Creek Music Festival, Georgian Bay Symphony, Orpheus Choir of Toronto, Canadian Opera Company, Schola Cantorum, Opera In Concert, Against the Grain Theatre, Opera Atelier, Tapestry Opera and Brott Music Festival.
Tessa graduated from the University of Toronto in voice performance after being awarded the prestigious Robert William Bygrave full tuition scholarship. She has trained and performed in various opera programs such as Songfest Vocal Institute, Tafelmusik Baroque Summer Institute, the Royal Conservatory of Music Opera Program, Operatic Arts Academy, Italy and most recently with the Summer Opera Lyric Theatre and the prestigious St. Andrew’s Opera Workshop.
Tessa is a voice teacher and vocal coach at Branksome Hall in Toronto. Tessa worked with the Canadian Children’s Opera Company as a conductor of the Butterfly and Ruby Choruses and as vocal coach to the principal chorus for three seasons.
Tessa studied under the tutelage of soprano Lorna MacDonald, mezzo-soprano Jean MacPhail, mezzo-soprano Laura Tucker and vocal coach Rachel Andrist.
For more information about Musical Paris, visit www.oakvillecentre.ca.